Work in progress, The Pale Rook blog
Tuesday
July 11, 2017
I have
spent the last week reading everything I can about how to blog, and I
think I am getting the hang of it! Self help books are advising me to
start small and go slowly. No problem there.
I have
been looking at the blogs of other doll artists, and am very
impressed with many of them. At the moment my favourite is The Pale
Rook, written by Johanna Flannigan in Glasgow, Scotland. When I first
started looking at dolls online, her haunting cloth dolls caught my
attention. They are very simple, but each one has its own life and
story. They are primitive, but, not. Go to her blog to see these
arresting creations.
She
writes her blog from her heart, and one post in particular, June
2015, went viral, due, I am sure, to the way her description of her
artistic journey to becoming a full-time doll artist strikes a chord
with so many of us (especially women). She describes the struggle to
overcome the reluctance to put yourself forward as an artist whose
work is valuable and is priced accordingly. She is eloquent, feisty,
fascinating, intelligent and brave.
At the
moment I am working on a polymer clay doll that will be sitting on a
wire chair that I have yet to create. I need to have the dimensions
of the doll, seated, when she is assembled, so I can make the seat
height just right. This doll is made using Fimo Professional Doll
clay. I ordered it through Amazon and it came in a very timely way,
all the way from Germany! I have never used it before, but I like it.
It is similar in feel and handling to ProSculpt. I didn't have any
issues like moonies or bubbles with Fimo regular, but I have noticed
a couple of bubbles in this sculpt. Could be my sculpting practices.
Wednesday
Worked
on the armature for my seated doll today. Bought some ball bearings
at Canadian Tire to make a weight bag (a la Susanna Oroyan) to keep
the doll anchored. Made the bag, got the armature ready, fiddled and
fiddled with the wrapping of the batting, and finally, ta da! It was
too long. Ripped it all off and decided to paint the doll parts while
I figured out how to make buttocks, and how to connect them to the
body so the doll sits properly. I will have to make a new armature
too. As Susanna O. says often in her books, dollmaking is just an
ongoing solving of problems. But, they do get solved.
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