Arts of Delight

At the same time I worked on the Snow Queen, I pursued my new enthusiasm for Waldorf-style dolls by looking at many online. The work of Aldegonde Ceelen speaks to me. She is an artist and designer who lives in Amsterdam. I love the fact that her dolls can stand, and that the clothing is very stylish, not too cutsie, as can be seen in some North American dolls. The fabrics she uses and the clothes she designs and knits are perfect for the scale. Altogether, her dolls have great appeal.   Aldegonde, quite naturally, is very reserved about sharing her methods online with the world. I  have spent a lot of time and effort thinking about how to get my doll to stand. My first doll has been taken apart twice in the arms and the poor thing has had three hip surgeries. She has also had her hair completely, removed and redone with another material entirely! She is finally able to stand on her own, but she is fiercely pigeon-toed!  She has a huge bum that helps her to sit up

In my last post I described my work on a commission as well as something to submit to Art Doll Quarterly. I have had no word from ADQ, so I assume that my work was not juried into the magazine. Better luck next time, if there is a next time. The commission doll has gone to its new home. The entire experience of doing a commission has been a learning experience, from how to create a doll from an image, to how to conduct the business of selling a doll. I will do things differently next time. If there is one. I focused on making the Snow Queen doll for a challenge in Somerset Studio magazine. I spent three weeks designing and making a sleigh and then came the doll. She went together quickly, I think because I had given it so much thought that it all just flowed out.It has been a week since I sent off images of her, and no word. It was very difficult to photograph her, as she is all white! Not much contrast to separate the elements. Here are some images of her. I think I